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  • The Chinese Experience: Painting and Culture
salliebowen
Wednesday, 25 July 2018 / Published in Painting, Travel

The Chinese Experience: Painting and Culture

The Chinese Experience: Initial Impressions in 1985

My Chinese Experience began in May of 1985. I was selected to be a part of a sixteen-artist group to study Chinese Landscape painting for two months. This was an internship program sponsored by the University of Minnesota: Duluth. Cheng Khee Chee, Duluth artist, workshop instructor and campus librarian, was our group leader. We were students of all ages and different artistic backgrounds, from west coast to east coast and in between. His wife, Bee, and two of their children, were also part of our entourage. We were anxious and excited to embark on our Chinese Experience over a two-month period. An experience and an adventure it certainly was!

The Journey Begins

Leaving from San Francisco, we spent a night in Narita, Japan. Flying from there the next day, we landed in Shanghai. We were rather travel weary and anticipating culture shock. I believe we all wanted to represent the United States as good ambassadors. What we were certainly not prepared for, after we were processed, was the throngs of Chinese faces all pressed against the glass. We first entered the country and made our way through the airport while being stared at in huge numbers. We really could not have anticipated their intense curiosity in seeing this small group of Caucasians. I know no one verbalized it, but there must have been a gut-felt appreciation for the glass barrier that separated “us” from “them”.

Momentarily, we were to lose that barrier. Rarely do westerners ever feel that loss of personal space. Over the next two months, we would, individually, have moments of panic whenever encountering crowds unaccustomed to seeing us.

Arriving At the Fine Art Academy

Boarding a bus, it took about three hours to arrive in Hangzhou near the scenic West Lake. So, I remember that bus ride well. At the Zhejiang Fine Art Academy, we would be housed in dorms and attend classes. It seemed like we were all glued to the windows, watching fascinating scenery that looked like the pictures I had seen in grade school social studies books. Fields of rice, water buffalo and workers performing tasks with little or no mechanization. Some farmers were riding “tractors” that looked like makeshift lawnmowers. Sometimes oncoming traffic would be a truck with loads of hay so wide that it scraped our windows. I feared the windows would be broken out. It seemed we had been transported five hundred years back in time. I was thrilled. I was expecting that my Chinese experience was to be just what I had wanted it to be.

Not What I Expected

When arriving on the outskirts of Hangzhou, I felt just the opposite. All around the city, there were boring looking concrete buildings being put up. Bamboo scaffolding was everywhere. The look was anything but the Chinese aesthetic that I was expecting. Not realizing that the time zone warp we were experiencing added to that sense of disappointment. Above all, I did not want this to be my Chinese Experience for the next two months!

In the next blog, I will describe the classes we took: Tai Chi, Chinese calligraphy, and landscape painting. Most noteworthy, the professors only spoke Chinese. Also, I will relate some of the some of the cultural shocks we experienced. Almost all were funny in retrospect, with only some being somewhat scary.

black Chinese ink on rice paper
Practicing calligraphy on rice paper
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Tagged under: Cheng Chee Chee, Chinese calligraphy, Chinese landscape painting, Tai Chi, Zhejiang Fine Art Academy

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